The problem is that I have neither the time nor the motivation to learn programming. Just the thought of looking at lines of code or learning a machine language makes my head spin. The ability to use a human language to design programs is something that should have been invented a long time ago. An...

My bottom line on this (with today's AI): using AI today is as if you're talking to a teenager who kinda knows what they're doing but lacks the nous to tell you you're unclear (or just plain wrong), but it will interpret what you said as it thinks is right and will confidently present you with the ...

Unless you're doing something very simple, I'm not sure I'd suggest someone with zero programming knowledge to use AI. But with at least a little programming experience or for fairly simple tasks, I think it can be very useful. I've used Grok and Gemini, the free versions, to help code in Lua. It ca...

JHS wrote: ↑Wed Oct 28, 2026 2:56 am With Graphics() one px line at a time

I figured it out. Thanks.

How did you create the workspace buttons?

Greenlaw wrote: ↑Mon Oct 26, 2026 3:58 pm Moho has an option to disable round corners in the Style window, but it doesn't work.

It's round end caps, and it still works. There's never been a sharp corners option in Moho, although there are convoluted ways to achieve them, mostly using masking.

When importing characters/layers, it's safest to do so while on frame zero. Anywhere else could introduce unwanted visibility keyframes.

Yes, but it depends on what you need to do. You can have an external app send shortcuts to Moho, through AHK, Python, etc., to save/open a file or activate a Lua script to do something more complex.

Since your layers seem to start at frame 2 (green arrow on the timeline)), it might have something to do with shifted layers on the sequencer. But aside from that guess, there's not enough info. Might need to see the file.

We can use floating windows and organize them where we want, but they are not hard attached and could be accidentally dragged or closed out of if the user clicks the wrong area. I can fix that, if you're on Windows. Mac has too many security measures to easily let one app control another app's wind...

Greenlaw wrote: ↑Fri Oct 23, 2026 8:40 pm

synthsin75 wrote: ↑Fri Oct 23, 2026 8:26 pm Dennis, he's filtering by name, so it doesn't show the group. FBF group arrow would point down if you could see a child layer.

Ah! Of course. Thanks.

I had to look at the image again, once he said it wasn't edited. Missed it the first time too.

Group/bone layer settings>Shadows>Shading is probably the simplest. On the character's bone layer, you can set the shading offset, blur, and angle. And then if you put this bone layer inside a group, you can set that group layer's shading to white, with the opposite angle, to do highlights. This wil...

Is that layer in a group or bone layer? If so, check that group/bone layer's visibility.

Dennis, he's filtering by name, so it doesn't show the group. FBF group arrow would point down if you could see a child layer.

Looks like layer visibility, in the layer properties, is turned off. If so, the timeline should be red if you select that layer.
Since it looks indented, I assume the image is edited to show these layers next to each other. If so, the visibility is likely off for this layer's group/parent layer.

NealF2 wrote: ↑Fri Oct 16, 2026 6:13 am One other question.
Sometimes (maybe all the time, not sure) I can't move a layer or change things when I'm on zero. I don't know exactly what's happening, but I have to move to frame one to make the changes.
Is that normal?

Maybe, if you've managed to move a layer on the sequencer.